High Plains — Homay Schmitz
Vintage character, timeless sound.
A detailed upright piano, with a cracked bridge, creating unique resonances. Performed by Jeremiah Fraites of The Lumineers. Recorded at Colorado Sound Studios. Five presets, including Felt and Warps. Close, Room and Pad signals. Six controls and effects. Available in our easy-to-use plug-in. NKS compatible. ~7.45GB.
A Souvenir — Homay Schmitz
Achingly emotional and detailed performances.
Chamber section (8,6,4,4,3) featuring 25 of London’s finest string players. Expertly recorded in the reverberant acoustics of AIR Studios, home of blockbuster scores. Close, Tree & Vintage signals. 9 essential and extended techniques including Flautando, Half-Section, and Harmonics. Available in our free plug-in. NKS compatible. ~3.4GB.
Standstill - Homay Schmitz
The world’s most popular piano plug-in — LABS Soft Piano — reborn.
A felted upright Yamaha U3. Recorded in the reverberant acoustics of AIR Studios, London. From close and intimate, to reverberant and enveloping. Three signals. Five presets. Six controls. Available in our free plug-in. NKS compatible. ~2 GB.
In Between All the Worlds — Louis Rugg
A 60-strong symphonic string section, featuring London’s best players.
Recorded in the reverberant acoustics of AIR Studios, London. Close, Room & Stretch signals. 11 essential articulations. Available in our free plug-in. ~2.4GB.
Supremacy — Oliver Patrice Weder
Recorded at London's AIR Studios, for widescreen dramatic effect.
London’s best percussion players. Seven presets, featuring various instruments and effects including epic ‘Earthquake’ Hits and Swells. Close, Room & Distorted signals. Reverb, High Pass & Low Pass Filter controls. Available in our free plug-in. ~1.4GB
That's A Lotta Axolotl — Louis Rugg
Dynamic brass & woods, for power and punch.
London’s best symphonic brass and woodwinds sections. 19 players. Recorded in the reverberant acoustics of AIR Studios, London. Close, Room & Distorted signals. Six essential articulations. Available in our free plug-in. ~1.5GB.
The Ball — Louis Rugg
A close, delicate and detailed upright, performed by jazz legend and Mercury Prize nominee Gwilym Simcock.
Recorded dry at Spitfire Studios, with soft felt placed between the hammers and the strings. Condenser, Ribbon, and Hammers signals. Ten presets, from dry and close, to reverberant and pad-like. ADSR and sustain pedal level control. Now available in our free plug-in. ~3GB.