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Scoring a Dreamworks Animation with Stephanie Economou

24:00

How to Start Composing

Uncommon Library Pairings

Orchestral Programming with Paul Thomson
Download the MIDI file from Homay’s session here
Most popular

Behind The Curtain

Hans Zimmer Round Table

Ólafur Arnalds Studio Tour

Inside an orchestral session at Abbey Road Studios

An orchestral recording session at AIR Studios

BBC Symphony Orchestra 360° experience
Score breakdowns

Scoring Emily with Abel Korzeniowski

How Do You Take a Score from Good to Great?

The Queen's Gambit with Carlos Rafael Rivera

The Music of Bridgerton with Kris Bowers

Cobra Kai with Zach Robinson & Leo Birenberg

Star Trek: Picard with Jeff Russo

DC's Stargirl with Pinar Toprak

The Handmaid's Tale with Adam Taylor

Spiral: Saw with Charlie Clouser
Behind the curtain

Capturing the Sound of Fink

Capturing the Sound of Fink

Live Strings Performance with Jordan Rakei

Hans Zimmer Percussion

Ólafur Arnalds Composer Toolkit

Ólafur Arnalds Evolutions

Originals Cinematic Frozen Strings

Lea Bertucci — Acoustic Shadows

Estática — Behind the Samples
Composing in the style of...

Studio Ghibli

Hans Zimmer's Interstellar

The Last of Us

Tenet

Joker

Final Fantasy VII

Assassin's Creed Odyssey

Edward Scissorhands

Cape Fear

Basic Instinct
Step-by-step techniques

Using the Octatonic Scale in Your Compositions

Composing Next Steps

Writing a Cue Using Piano and Small Ensembles

Four Ways to Write with Piano and Orchestra

Creating the Ultimate Festive Score

Preparing to score with Paul Thomson

10 Golden Rules of Orchestral Programming

The Best Ways to Voice Strings?

Making Four Players Sound Like Twenty

Composing for Choir with Eric Whitacre

Cinematic Drum Programming

Scoring to Picture

Get the Most from Short Notes

Achieve More Realism with Note Velocities
Creative Cribs

Christian Gregory & Ollie Twist

Abbey Road Two

Anne Dudley

Ólafur Arnalds

Abbey Road One

Harry Gregson-Williams

Snakes of Russia

Daniel Pemberton

John Powell

Carly Paradis

Jeff Bhasker

Nitin Sawhney

Nathan Barr

Joseph Trapanese

Andy Gray

Paul Thompson

How To Program Realistic Strings: Part One

How To Program Realistic Strings: Part Two
Orchestral programming

Day One

Day Two
