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Need to go epic? Combine orchestral with electronic to deliver a score that harnesses traditional symphonic but with enhanced sound design. This collection includes Albion One, our industry-recognised standard in hybrid libraries, Hans Zimmer Percussion (big drums that can go oh so soft) and BT Phobos, our latest innovation in hybrid technology. This is guaranteed to jump start your game, film and TV repertoire.
This is everything you need to make film music in one box. At its heart is a 109 piece orchestra accompanied by a thunderous cinematic percussion section. Add to that warpable loops designed by award-winning music makers, plus an enormous steam synthesiser — it’s no wonder Albion ONE is our most renowned orchestral sample library. Perfect for first-timers and established composers alike, this industry standard product is the perfect place to start your film scoring journey.
Phobos is a must-have synthesizer for composers writing epic, cinematic electronic and hybrid compositions. Conceived by renowned composer and electronic music pioneer BT (The Fast and The Furious, Monster, Lara Croft: Tomb Raider), we’ve together developed a powerful new device to add a unique timbral expansion to your compositions by unlocking the liquid, morphing and transforming capabilities of convolution. With an asset base featuring over 20GB of unique hand built BT rhythms, pulses, textures and atmospheres, and a revolutionary polyconvolver engine, you can quickly and easily create molecular loops, patterns and textures to energise your music and hold your audience at the edge of their seats.
Spitfire Audio joins forces with the biggest name in film scoring to produce the ultimate drum sample library for cinematic percussion. Featuring the ensembles and solo instruments used by Hans Zimmer in his blockbuster scores, we’ve drawn upon his years of creativity and studio experimentation to compile all you’ll need to get started in epic drum composition. From tombeks to taikos, playing from whisper quiet to thunderously loud, we’ve worked alongside his GRAMMY Award-winning team (including engineer Geoff Foster) to capture the highest quality recordings in the same studio with the same players, all mixed and produced by the man himself.