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ENIGMA 2D ICON
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LEO ABRAHAMS - ENIGMA

DEMOS

Leo Abrahams is a trailblazing musician, composer, and producer who has recorded and toured with such successful artists as; Imogen Heap, Ed Harcourt, Roxy Music, Grace Jones, and Pulp. Leo began to write and produce for a catalogue of aspiring singers and bands, which led him to creating his own records including The Unrest Cure, featuring the vocal stylings of; Brian Eno, KT Tunstall, Ed Harcourt, Foy Vance, and Bingo Gazingo. Leo has produced for a number of artists including Paolo Nutini, Wild Beasts, Frightened Rabbit and Carl Barat of the Libertines; he has composed such incredible soundtracks as that of The Lovely Bones (with Eno) and Hunger (with David Holmes); and he is also credited as the guitarist in such fantastic film scores as that of Oceans 12, Twilight and Green Zone. Leo’s talent has extended across multiple genres of music, and it is his devotion along with his raw talent that has brought him the success he has today.
"ENIGMA" is a collection of awe inspiring sounds and tools created exclusively by Leo in conjunction with Spitfire Audio. As composers ourselves we have been itching to get our hands on what we know will become essential DNA for future compositions and productions.
Created largely on a rusty Trussart guitar plugged into Leo's infamous pedal array, with over 300 presets including weird and wonderful sounding guitars, synths, pads, atmos, phrases and over 200 loops. This library is 5GB (compressed from 10GB) of pure inspiration.
VIs - Purpose built curiosities, some more recognisable than others. But all with that distinctive rusty sound!
PADS - Raw chordal instruments direct from Leo.
MORPHED PADS - Beautiful circuit bent synths and pads always derived from a rusty source!
LOOPS - Rhythmic and percussive phrases tempo sync'd to your host.
ATONAL FX - A selection of rustic pylons to screw with your beautiful sonic landscapes!
Christian Henson, ensconced in a plethora of exciting movie, game and TV projects has been using the library in anger for a week of so now and rather excitedly had this to say:
"I liken this library to my hazy and shady past in catering, excuse my French in advance. Receiving it akin to your favourite supplier bursting through the doors of your restaurant excited by the box of goodies he had for you. This cheese is excellent, it's furry and mouldy and smells of s**t, but makes you high as a kite when you spread it on some freshly baked bread, these king prawns are the tastiest little buggers but you need to know how to shell them and cook them with care. Playing with this library for a week now has made it the DNA of the productions I'll be involved with over the next months and years. It's totally Leo, but it is as I suggest, just ingredients, from which I will get inspiration up my game and go up a level to honour. It's the first time I've used a sample library and felt like I was collaborating with someone. Such is the power of his personality and how present it is here... I like my music to be hairy, smelly, full of soul and this library has that by the arm load. It doesn't feel like it's been made by a sample dev, it feels like that private folder of specially made bad-boys that everyone has to turn to in times of blank screen fever. Moreover, and strangely it is the first time I have ever used a library and when testing almost exclusively played major chords.... like the cheesiest progressions I know, and... everything I played just sounded so effing cool. Hats off to Leo and thank you sir!!!"
TO READ EXCLUSIVE Q&A GO HERE.
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VIDEO WALKTHROUGHS & TUTORIALS


MP3 DEMOS

CLICK Spitfire Support TO SUBMIT YOUR OWN DEMO.
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CUSTOMER FEEDBACK AND REVIEWS FOR THIS PRODUCT COMING SOON!


A selection of review quotes from other Spitfire products


"Britannia rules with Albion"
J. Buchanan - Future Music Magazine
"Albion is the creme de la creme."
K. Gemmel - Music Tech Magazine
"The Best of British. This collection of instruments is enough to make Britannia drool."
D. Stewart - Sound On Sound Magazine.
“Spitfire’s libraries just seem to get better with each release – and this superb horn library is no exception. The attention to detail is striking and the workflow is fast and intuitive”
Music Tech Magazine.
“Spitfire have established themselves as a force to be reckoned with worldwide”
D. Stewart Sound On Sound.
"Great sounding scoring tools that are both intuitive and flexible to use."
Future Music
"Sure to become a staple even integral feature on the soundtracks of major Hollywood film and network television scores."
The Economic Voice

Reviews of other Spitfire products

"I’m am absolutely blown away by the tone, quality and value for money this library delivers! I’m a composer from Australia that has a crap load of software samples from all the major companies out there, but am absolutely in awe by what you guys have produced here! And this is defiantly the best value for money sample library I have bought to date. Well I’m pretty sure you now have a life time customer in me because of this one product and I’ll probably be up all night tonight being re-inspired by this library"
“I’ve been playing with it all morning long, and it’s making me giddy. If you’re on the fence about buying it and you’re wondering “Is everyone overhyping this or is it really this good” — there’s no over-hype here. It really IS that good. There’s a density to the sound, or maybe a wideness or warmth, that I haven’t heard in libraries before — not even in Symphobia. Just buy it. Totally worth going into debt over.”
“I’m absolutely speechless, this library is beyond my expectations. It features the BEST strings I have EVER heard!”
“Thanks you guys! My music has become much better thanks to your work and inspiration that you constantly give. This is the most incredible instruments in my opinion with widest range of possibilities. And I think, having all instruments from Spitfire is like having the one instrument devided to volumes… all of them perfectly works together.”
“Bottom line, the sound is fantastic…"
“First of all: I’m at a loss for words to describe the sensational experience that is exploring and playing Sable. I really don’t know what to say. Magnificent achievement. Seriously: this is the stringslibrary I have been dreaming about and waiting for all my musicmaking life. It is simply perfect. Thanks sooooo much to everyone at Spitfire.”
"WOW! Sounds like I invited a real players… It’s so amazing! Thanks guys."
"Cannot say how amazing that sounds…..just mind blowing."
"The best of its type I have ever heard – period. I do have a load of orchestral stuff, but this is the first library I have ever played where I can honestly visualise real players right in my little studio."

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